Remote Mixing & Mastering — Worldwide

Records that translate everywhere they play.

I mix and master for bands, labels, and artists who want a fresh set of ears and a defined point of view: masters that hold up on streaming, vinyl, and cassette, delivered on time.

Start a Project
Hear the Work

When you can't hear your own record anymore.

That's not a character flaw. You've listened to it four hundred times. Somewhere around the two hundred mark you stopped hearing a record and started hearing a list of things you mean to fix.

So you push it out anyway, and it sounds thin next to the songs on the same playlist. Or the low end disappears in the car. Or the vinyl master gets kicked back and the pressing date moves and the whole release slides a season.

A year of work should not come apart in the middle to last stages.

What You Get Back

WHAT YOU GET BACK

Someone you can trust to help make the final decisions

Four things every project delivers, whether it's one single or a full LP.

A record that translates

Earbuds, car speakers, a laptop, a club PA, a turntable. Same record, everywhere it plays.

Ears with no attachment

I am removed from the hours and hours you’ve spent tweaking. Fresh ears let you know whats working, and what needs attention.

Mixing

Remote mixing for artists and labels who want an outside perspective. My background is deep in indie rock; especially shoegaze, dream pop, and dense atmospheric guitar music - but the approach is always song-first: what does this track need, and what's in its way?


— Fresh ears and a defined point of view

— Dense guitars, layered atmospherics, vocals that sit inside the music

— Multiple revisions until it hits

— Stems and printed mix delivered ready for master

Start a Mix →

A first version in days

3–5 day mixing and mastering turnaround. Revisions included until it hits, not until a counter runs out.

Every format you need

Streaming, vinyl and cassette pre-masters, DDP with ISRC, stems, and instrumentals ready to ship.

Mastering

The final shape and weight of your record. Full digital masters optimized for streaming, plus vinyl and cassette pre-masters cut for the format. If you're chasing editorial placement, I know what those masters need to do.


— Apple Digital Masters certified

— Vinyl & cassette pre-masters

— Stem mastering & DDP with CD-Text + ISRC

— Alt masters: clean, instrumental, acapella

Start a Master →

Labels and Managers

Labels lose weeks chasing engineers and fixing masters that get kicked back from the plant. I mix and master full rosters on a set schedule: streaming, vinyl, and cassette.

Your catalog sounds like it came from one mastering house and your release dates stay in place.

Who you're working with

Dereck Blackburn

I know what it's like to sit on a record you're proud of and be afraid to release it. After 25 years, I've watched hundreds of artists hit that exact wall; not because the songs weren't good, but because they'd stopped being able to hear them.

Mixing, mastering, production - I bring what most projects actually need: experienced ears, honest feedback, and the judgment to know what serves the song. Along the way I've advised audio companies and helped educate the next generation of engineers, but the work always comes back to the same thing: making music that connects and lasts.

| Recording Academy Producers & Engineers Wing

| Former Treasurer, AES Boston

| Co-founder, Audio Builders Workshop

| 5 year GRAMMY U mentor

| Apple Digital Masters Certified

| 3 time nominee for Studio Engineer of the Year - Boston Music Awards and NEMA.

Pricing

Hear it before you decide.

Send me the record first. I'll listen and tell you honestly what it needs - and whether I'm the right person for it. That part costs nothing either way.

Master

You have a finished mix that needs to translate.

from $135

per song

Digital master, Apple Digital Masters

Alt versions: clean, instrumental

Revisions until it lands

3–5 day turnaround

Start a Master
Most projects

Mix + Master

You have a finished production that needs both.

from $600

per song

Full mix with multiple revisions

Master cut from the finished mix

Stems and printed mix delivered

Streaming-optimized master

Start a Project

Label rosters and catalogs scoped individually — get in touch

The Record

A full EP or LP, sequenced and consistent.

EPs from $2400

Full-lengths are scoped individually. A record isn't just 6+ singles. Level, tone, and pacing have to hold across the whole thing, and that's worth talking through before I put a number on it.

✓ Full mix with multiple revisions

Finish Your Record

How it works

The three-step record plan.

Simple, remote, and built around your record.


STEP 01

Tell me about the record

Genre, references, timeline, and whether you need a mix, a master, or both. We confirm scope and format before anything starts, so nothing surprises you later.


STEP 02

Send your files

Multitracks for a mix, final mixes for a master. I work remotely with artists and labels worldwide, so location is never a barrier.


STEP 03

Hear it, shape it, release it

You get a first version fast, honest feedback goes both ways, and revisions continue until we are done and delivered in every format your release needs.

Most artists spend a year making a record and then release something that sounds small next to the songs they love. It isn't a talent problem — it's that after four hundred listens, nobody can hear their own work anymore.

That's the point where I come in. I mix and master remotely for artists and labels, which means the record gets a set of ears with no attachment to the session and no memory of what it was supposed to be. If you're worried about cost, consider what the master actually is: the cheapest line item in your release budget and the only one that touches every single listen. If you're worried about losing control of your own record, that's the opposite of how I work — you get revisions until it works for you, and my job is to elevate your point of view, not overwrite it. If you're worried about timing, turnaround is 3–5 days. If you've been burned by an engineer who went quiet, you'll hear from me directly, every time.

What you end up with is a record that holds up on earbuds, in a car, on a laptop, and on vinyl - one you can send to a label or a playlist editor without apologizing for it first. That's the whole job.

What artists say

The work speaks. So do the people behind it.

20+ years working with independent musicians, engineers, and producers across the world.

"He really listened to my ideas and did whatever it took until I was happy with the final product. Notice the depth, clarity, and low-end punchiness in our record."

Phil Golyshko

Sidewave

"Songs simply sound different when they have Dereck's touch. The mastering comes out better than I imagined — and he's considerate, professional, and reliable."

Jo Strogatz

Meira

"Working with Dereck is the best experience I've ever had with an audio engineer. He quickly produced incredible results and gave thoughtful feedback and revisions when asked."

Ryan Breen

Lucy Spacehead · engineer & artist

"Dereck keeps sessions fun yet disciplined, listens deeply to 'vibe'-level feedback, and makes my band feel like his top priority from tracking to final master."

Mary Dumont

Roser

"A rare mix of top-tier quality engineer and openly generous with his time. Feedback is honest, culturally sensitive, and always pushes the music forward."

Kevin Klein

Valleyheart

"He was actively involved in the creative process but never intrusive, which always made the demands of studio tracking much more enjoyable."

Quentin Moyer

True Faith

Tell me about your record

I reply to every message within two business days.

FREE DOWNLOAD

Before you send your record to mastering, read this.

The twelve problems I find most often in mixes that arrive at my studio and how to fix each one yourself, before you spend a dollar on mixing or mastering.

Free PDF · 12 pages

Your mix isn't ready yet

12 things to fix before you send your record to mastering.

  1. 01Your reference track isn't in the session
  2. 02Everything is clipping on the way out
  3. 03The low end has two things doing the same job
  4. 04Your vocal sits on top of the music, not inside it
  5. 05Nothing has been checked on a phone speaker

+ 7 more →

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